Plastic arts in Nice between the two World Wars : foundations and institutions
Identifieur interne : 000090 ( Main/Exploration ); précédent : 000089; suivant : 000091Plastic arts in Nice between the two World Wars : foundations and institutions
Auteurs : Slim Jemai [France]Source :
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Abstract
Plastic arts in Nice between the two world wars are developing inside two categories of institutions: private and public. These two categories are not homogenous taking into account the variety of structures, objectives and art forms of those private and public institutions. Our period of study goes from the end of the First World War in 1919 until the beginning of the Second World War in 1939, it is punctuated by the consequences of the First World War, the 1929 world economic crisis and the escalation of international tensions in the thirties. In spite of the luxury tourism collapse which affects Nice at the time, the city benefits from the political stability and realizes during this period several big modernization projects. Considered as winter capital during the Belle Époque, the city of Nice is since associated to beautiful parties and carefree luxury life led by the aristocratic society. Between the two world wars, the cultural authorities supported particularly by the mayor Jean Médecin, will try to give a different image to the city, through the creation of the new public institutions related to culture and arts, which are: the Massena Museum in 1921, The Beaux-Arts Jules Chéret Museum in 1928, the C.U.M. (Mediterranean University Centre) in 1933. Those institutions then elaborate new kinds of activities in order to attract local visitors. These two types of institutions, private and public, working in the field of plastic arts, contribute to the cultural enrichment of the city of Nice between the two world wars.
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Between the two world wars, the cultural authorities supported particularly by the mayor Jean Médecin, will try to give a different image to the city, through the creation of the new public institutions related to culture and arts, which are: the Massena Museum in 1921, The Beaux-Arts Jules Chéret Museum in 1928, the C.U.M. (Mediterranean University Centre) in 1933. Those institutions then elaborate new kinds of activities in order to attract local visitors. 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